Category Archives: Critical

The Dark Knight in the shadows

*****SPOILER WARNING*****

Let’s just get this out of the way first. The Dark Knight is an awesome film. I dare to say an excellent film. It’s been a long time since I’ve been blown away by a film. A really long time. With all of its awesome-ness, it is not perfect, but it is a great follow up to Batman Begins. The acting was top notch, the story runs deep and twists come with every turn. Sure it could have been trimmed a good 20-30 minutes, but I would rather have an overblown The Dark Knight than no The Dark Knight.

I’m going to assume that many of you all have seen the film already, so I’ll stop reviewing it. If you haven’t, what are you waiting for?

Again, Nolan has brought it with a fearlessness seldom seen in films. Many commentators and fans have been suggesting that Nolan transcended the super hero genre and made it his own. This is no Burton’s Batman. This is Nolan’s. Gritty, down to earth. It feels real. There is no need to suspend our beliefs, convincing us that it is a different super hero movie. Not out of the world “how’d he do that” questioning. Reality.

First and foremost, The Dark Knight is not a super hero film but a full blown crime thriller drama. There are twists and turns in every turn in trying to capture the ultimate villain, the Joker. Take out the vigilante in a crazy costume and put in a regular rogue cop, in the Batman role, it would still work. Batman really took a back seat in the story. This story really isn’t about Batman and who he is, but ultimately the battle of reality. Good vs. Evil. Doing what is right and avoiding the wrong. The shades of gray of reality.

The late Heath Ledger will be missed. He stole the movie, disappearing into the role, owning it. He had become the Joker. There is no Ledger left on the screen. Far from Nicholson’s campy comic Joker of Burton’s touch, Ledger made him dark, frightening, fearless, a pure agent of chaos. Just utterly magnificent and haunting.

Ultimately what worked well in this film is that Batman really took a backseat to the rest of the characters. It is the ultimate battle between good and evil, light and dark. The Joker vs. Harvey Dent. It is a battle of wills to do what is right, fighting evil at every turn, and doing it right, by the rules. And Harvey Dent did it. He did it. He is the White Knight to Batman’s Dark Knight. He was able to clean the streets of Gotham from crime without having to break any rules. But ultimately it is the Joker that wins in the end, breaking the will, the ethics of Harvey Dent by taking away what he cares for most, his love, Rachel Dawes.

How do you defeat a man who has no rules? How can you? You really can’t.

Throughout the film, the Joker always has the advantage over everyone in the film. He plays by no rules, playing the chess game four moves ahead of everyone else. Even Batman was no match for the Joker’s chaos. Batman seemed weak next to the Joker, always playing into the hands of his master plan. Though the Batman breaks rules, a vigilante who takes justice in his own hands, he still plays by the rules. His one rule, to never kill. That held him back. That is what separates him from the Joker and that is what separates him from Gotham’s White Knight. Rules.

Throughout the film, Batman always seemed like a wingless bat, trying to keep afloat in bringing down the Joker. He’s stuck between the lines with nowhere to go, desperate to keep afloat. He has no control over the situations at hand. Even with the help of Commissioner Gordon, he’s a helpless pawn that the Joker plays with at his whim.

Batman is castrated, unable to perform because of his one rule. Sure he’s strong for not breaking it, allowing chaos to continue because he wasn’t willing to break the rule, but it is because of that one rule he’ll never succeed over the Joker. Surprisingly in the cynical times that we live in, it is the goodness of humanity that wins out over the Joker. Simply, they just didn’t push the button and the Joker counted on them to do.

In the scene with Batman on the batpod and the Joker with a rifle, the ultimate clash between the super hero and the super villain, it is Batman that veers away, unable to do what he needed to do to end all of the chaos. He couldn’t kill. The guns on his batpod are good for only shooting obstacles that are in his path and nothing more. They aren’t meant to be shooting down villains.

Later in the interrogation room, Batman violently and physically abuses the Joker trying to get information on where Rachel Dawes and Harvey Dent are. What does the Joker do at his threats? He laughs whimsically. It was all a part of his plan and everyone, including Batman, is playing right into it. He never felt threatened in the film. He always had control and never lost it, until the end.

The ultimate villain, unafraid to die, has all the power and the control in the situation. He has nothing to lose.

Somewhere between Batman Begins and The Dark Knight, it seems that Batman has been falling in line with the Bush Administration. Sure he’s a vigilante, needing to bend the laws and civil rights to clear crime off the streets, but he has been taking more of a Bush approach in solving the situation.

He would fight crime, bending the rules as a means to an end. The biggest social commentary is that of the ridiculous Sonar device that taps into everyone’s cell phone and creates a tracking system on everyone. It is the whole Patriot Act of the Bush Administration. Sure he justifies it with Lucius Fox not liking the idea and giving his notice if this device is ever put in use and at Wayne Industries, but ultimately the device is put in use and afterward, it was destroyed.

The civil liberties of the Gothamites are breached and thrown away on a whim to do what is right. It is a means to an end.

Batman seems to be doing things as a means to an end. From going to Hong Kong and kidnapping the Mob’s accountant and extraditing him back to Gotham suspending our civil liberties to do what is right. It falls in line with Bush’s approach in the last eight years.

Bush invaded Iraq without any just means but to find WMDS. He bypassed the diplomatic way and just invaded Iraq which resulted in a war with no end in sight. It was a means to an end to get Sadam Hussein. That’s great an all, but there are international laws for a reason. Like Bush, it seems Batman doesn’t have to follow those rules.

The spying and taping our phones, emails, our private contents hoping to find more terrorists residing in the United States, Bush passed the Patriot Act. The reason for it is great, to weed out the bad guys and protect the nation, but it is done by jeopardizing our freedoms. Batman with his little sonar device did that.

A means to an end. Does that justify breaking laws? It seems to Batman it does. I guess being the millionaire playboy that he is; he should fall in line with the Republican ideals.

Sure in the end, he destroyed the sonar thing, but it shouldn’t have been used in the first place.

After all is said and done, the Joker captured, Two-Face (the fallen White Knight, his good side and bad side divided) is dead, the Batman runs.

He’s not a hero as he proclaims. Harvey Dent was a hero. Batman is who Gotham needs to be at that time.

Like the government and those in position of power, Commissioner Gordon and Batman create lies to maintain the status quo; to keep us citizens in line. It is a empty facade so we have something to strive for. Batman is not a hero. He’s the one that must do what is needed and pay the consequence for it. Why? Because he’s strong; stronger than most. He’s a man alone in the world with nothing to lose but everything to care for.

He is The Dark Knight

So he’ll be in the shadows, fighting crimes in his own way, by his own rules.

Commentary

Wow, two nights in a row. How about that? A first in a long while…and another first. I normally don’t write reviews or write any commentary on movies I’ve seen or television shows that I watch, but tonight brings me to put the first. I’m not sure if I’ll write any more..but who knows.

Tonight is the first “real” Studio 60 on the Sunset Strip episode since its long hiatus. Last week’s episode was pretty much a standalone episode, so, I won’t comment on it.

Now I’m not going to write a straight out review of the episode. No, not at all. I think I’m just going to write my observations about the show.

Tonight’s episode: Breaking News is a very interesting one for me. It tackled quite a bit of things. Sure it had some elements that another Sorkin show, Sports Night had, and that was the whole rating issue. Tonight’s episode tackled other issues, drugs, and the war.

What piqued my interest in tonight’s episode is I wonder how much of tonight’s episode is Sorkin dealing with the situations that he has to deal with in real life along with his commentary on the war?

It’s no secret that the ratings of the show had dropped considerably since the critically acclaimed and damn good pilot. I enjoyed the pilot; quite a bit. It was smart writing, fresh, and what I wanted to see from a Sorkin ensemble a la The West Wing or Sports Night. But then, the shows went downhill from there. From par episodes to bad episodes and there were only a few gems and moments in between. The show couldn’t live up to the spectacular pilot.

Again, tonight’s episode is the first real episode back from the hiatus and I wonder if Sorkin wrote the episode to address these concerns. The ratings are falling on the “beloved” skit show due to the poor writing of the head writer, Matt Albie. It can be said that the Albie character is Sorkin. He’s the head writer of the show, mostly writing the whole show by himself. It is no secret that Sorkin has a little drug problem, whatever is his drug of choice. Maybe it is a little self reflecting in the sense that he’s blaming his bad writing and the failure of the show due to him writing high? The ratings are slipping and it’s mostly due to the writing. There isn’t anything to harp on on the acting, for it is good and solid. It’s just the scripts.

It seems that Sorkin is having difficulties balancing the drama and the comedy. He’s done it so well in Sports Night and The West Wing. But again, those shows knew what they were. Sports Night was a half-hour comedy show filled with drama and The West Wing was a one-hour drama filled with comedic gems. Studio 60 seems like it wanted to be a comedy, because of the skits, but it turned out more like a drama filmed like a comedy. It just doesn’t make sense. It just doesn’t flow well.

Tonight’s episode felt different. It had a fairly somber tone throughout. Looking at it as a drama, I can’t fault it. It hit its marks. Looking at it as a comedy, it sucked. It wasn’t funny at all. I guess, again, Sorkin just couldn’t decide what he wanted to do with the show. He couldn’t find the right balance and now he’s done.

A big part of Studio 60 is it’s politics and democratic righteousness. It falls in line with the idealism of “The Bartlett Presidency”. It’s just pure Democracy. Sorkin is saying quite a bit about the war and about our current Presidency. He’s just not a fan of it and the war. He’s not hiding it.

The “Breaking News” in tonight’s episode is that one of the show’s character’s brother is a POW in the Iraqi war. The fate of this brother and his two comrades was never shown, left for another episode. He’s showing us the ugliness of war. He’s showing us the pointlessness of this war; losing lives, not just the lives of any people, but the AMERICAN people. I’m very interested to see where Sorkin goes with this. I watch quite a bit of television, but I sure don’t watch nearly enough to know if another show has done a similar storyline where a family member is held as a POW in the war. I do wonder where Sorkin is going to take this. The fear of the family and friends. The fate of the POWs. Where is he going to go?

Sorkin has a deep and profound idealism about him, especially in politics as shown in The West Wing. But I never had known him to pull any punches. There’s a part of me that wants him to take that route; that dark path of killing the POWs. That would be powerful. That would be great drama.

So Mr. Sorkin, surprise me. Blow me away. It’s been a while since I’ve seen an episode of your show. Last week’s episode was a small fluff piece, building up to tonight’s episode. Again, as a drama, tonight’s episode worked. It worked on so many levels that I had to write about it. I’m sure tonight’s episode in a sense is your therapy for what has happened with your show. I don’t know if you are trying to quit drugs, but I do know your ratings are slipping and I do know that your show didn’t get picked up. Did you write this episode believing that you still had a chance? The war is still ongoing and from all the episodes you’ve written so far, you were never afraid to tackle it and the politics. I am interested to see how far you are willing to go. Just please don’t disappoint me. Just don’t.

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Now I have to comment on the “new look” of my journal. It was a mistake. I tried to fix something and I couldn’t go back to how it was. This was the closest style that I can choose that matches my old style. My, how much I do miss my old style, but I am stuck with this.

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Starting tomorrow, June 1st, I get to start my new script. It’s going to be a “re-imagining” of A Chinese Ghost Story. I have most of the first couple of scenes worked out, but quite a bit of stuff still elude me. Maybe I’ll be able to flesh things out as I start to write. I get to start on it soon, and I am honestly quite excited about this. I can’t wait to write my first words. I can’t wait to write that first scene, then the next one. It’s going to be a fun ride. Hopefully, I’ll finish and fulfill my scriptfrenzy.com duties. We will see.